I did it. I sent in my registration to Knitting Olympics with just a few hours left before they closed the list. Whew!
I still don’t know what I’ll knit. I considered the Sally Melville Not Your Mother’s Coat, but it’s not portable and I’m traveling during part of the Olympics. I considered the shadow knit shawl but though the yarn is light, it’s tiny yarn in little stitches and in garter stitch. Way more stitches than I think I can complete, even if the pattern is easy.
I would love to have chosen to just finish my Lucy Neatby Equilateral Vest. However, the olympic rules stress a new project. I do have yarn purchased for a good number of projects, patterns and yarn ready to go, so why not try to find the right one and follow the rules?
Right now it looks like I’ll do the Cross-over top (short top/vest) from Sally Melville Purl Stitch, page 81. There are two versions of this one, the first is in wool and fulled/shrunk, worn as a vest. The other is a summer top in Cotton Twist. Of course, mine is hot pinkish cherry, same yarn but brighter. The one in the book is sort of a 1920s blue-gray with a bit of green in it… bluer than sage, sort of the color of a blue spruce tree. Pretty, but it would not flatter me.
The yarn is some I got at Yarn for Ewe with a gift certificate maybe 2 years ago, specifically to knit this top. I took the yarn to Africa with me, and I did swatch when I was there, but then I lost my measuring tape and realized that knitting socks allowed me to knit without referring to a heavy book. So much for that project!
Right now I’m trying to figure out something, though. In the Purl Stitch book on page 81, they show the summer version. I fell in LOVE with this, and one of the things I liked about it was the line of increases where the fold line of a lapel might be if the front flap opened up. This created two different “grains” so to speak, and the light reflects off the fabric so well that way.
I sat down tonight and read the pattern to see if this might be a good project for me. The increases are right at the edge, not in the lapel area. So one of my favorite features of what I thought I’d be knitting, is not in the pattern.
They should have knit a second sample before the photo shoot, in my opinion, because it really changes the look of the garment. I know they have deadlines but they also have a nice budget for samples and the photo looks really different than the instructions.
It looks much flatter without the grain/increase interest (compare to page 79, which is in wool but you can see the grain in the photo). I figure someone out there reading this will know how I can move my increases to the right place and have it look great. Right??? If not I move to the Annie Modesitt corset, or I just go back to the Equilateral Vest finishing idea.
Why is a smallish vest my challenge? This project is a challenge in two areas. I do not like purling more than about 4 stitches in a row. I learned to purl a full 20 years after I learned to knit, and although I’m more comfy with it lately (I just finished a K1P1 hat for Brian, and this summer I made a K2P2 tank top happily) I would rather rib than make stockinette fabric flat.
I’m thinking I may practice my “combination knitting” for this project. This is how Annie Modesitt knits… wrap purls clockwise and knit counter-clockwise but in “the back loop.” She says that this often creates a closer tension between purl rows and knit rows. My purls are usually looser than my knits, so it may be worth doing here. Combination knitting doesn’t work very well with knitting in the round, and since I do socks and hats and wristwarmers so much, there’s little opportunity for me to use this method, but I like the idea.
The other reason it’s a challenge? I almost never use someone else’s patterns. I make things up as I go. Then I use the garment I knit as a chart/sample and I figure out what I did (counting stitches and rows most of the time), write it down, work out other sizes, have it tested and voila! New Pattern! Sounds easy but it takes a long time.
I don’t do well writing things down as I knit, it takes all the joy out of the knitting. The only pattern I remember doing that for is the Fast Florida Footies, because I knew they would be a gift the next day and I wouldn’t have the footies to use as a chart later. I do often place markers at key places so I will be able to count rows/stitches more easily when the item is finished. That’s as “plan ahead” as my creating gets.
I don’t find following patterns difficult. What I find hard is being tied to a book. I do so much of my knitting out of the house… waiting in line, for dinner at a restaurant, at the allergist, post office, pharmacy… carrying a book around and having to open it, look up the next row, etc., well, that does not work for how I knit. I try to not fall in love with other folks’ patterns. Clearly this does not work, given the list of choices I had for the Olympics. The only one I didn’t have all the yarn for, purchased already, was the not-mom suit coat.
If anyone knows how to translate the increases on this top to match the photo on page 81, I’d love some input. I’m not sure I’d like the top, the way the pattern is written. Too bland. Maybe the fabric would save it, but I’d hate to do all that purling and find out I don’t like how it looks!!!
For the record, I just bound off Brian’s bulky alpaca-blend hat. It looks really good on him, and it promises to be warm enough for him to wear on his long walks at lunch during this cold weather. I’ll get pictures once it’s dry from blocking.
No knit photos today so you get Ethiopia. Early in December 2004, we drove to a crater lake in the Rift Valley, driving distance from Addis Ababa. We had lunch at a restaurant up at the top of the mountain where we could look down into the crater at the lake. Beautiful. On the way there and back I took photos while Altu and her friend were speaking in a language I did not understand.
1) Teff fields (teff is a grain that is high in protein, used for their staple bread). It’s harvest season right now, again. Note two different shapes for stacking the grain. Note the beautiful, clear blue sky.
2) Garden at the lovely restaurant at the crater. It’s in a resort area where folks in the city who can afford to do it, will go for a rest or weekend away. Even at this nice resort, the day we were there the water was not operating… when I went to wash my hands a person rushed over with a pitcher to pour it when I needed some. The utility infrastructure (water, electric, phone service) is just not dependable there.
3) A street scene. Small booths are stores of different sorts. The building with murals on it must be a restaurant, as three of the four paintings show people eating. Lady at right front is wearing a Netela, the traditional white handwoven gauzy cotton wrap which is very practical and very much still used even over western/modern clothing. I have one and wear it often in the summertime here in Michigan. (If you follow that link to netela/Ethiopian clothing at Wikipedia, the three photos on that page were taken by me!)
Note how colorful everything is. There seems to be no fear of color in Africa, at least nowhere in the places we visited!